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I really hope the pod will find an audience that’s forgiving of our rougher edges and imperfections and engage with the pod on its own terms: as a genuine labour of love. We have tried our very best to reach as high a quality of production as possible with zero past experience and next-to-zero budget: instead of a recording studio, we had Zoom instead of an audio tech with top-end gear, we had me and Audacity. Game of Thrones: Season 8 Redux releases a new episode every Sunday, with ten episodes of roughly sixty minutes each in total. It’s been a fun, frustrating, exciting, and exhausting experience, but I couldn’t be more proud of the final product and grateful to the talented people that gave their time and creative energies to help bring it to life.

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Within a few weeks, I’d put together a wonderfully talented cast of professional actors, amateur-dramatics enthusiasts, first-time performers, and Game of Thrones obsessives.Ī few things I’d never done before I started this project: produced anything, directed anyone, used audio editing software, solicited actors on the internet, commissioned a piece of art, built a website, spent an hour deciding between three different “squelch” sound effects, or released a podcast. The internet can be a scary place, especially when you’re putting yourself out there with any kind of personal and creative endeavor, so I was hugely but pleasantly surprised to receive a response that was almost without exception positive, enthusiastic, and encouraging. When I finished writing the scripts in late summer of 2021, I realised I wasn’t ready just yet to leave the Westeros sandbox and began reaching out in various forums online in the hope of finding like-minded people to join me in seeing how far we could carry things beyond the page. To paraphrase a late cameo in my own Season 8, this pod is not how I think the show should have ended, just “one of” the ways it could have ended.

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I chose to write an alternate Season 8 not from a place of negativity or an attitude of “I can do better than that”, but rather as a way of crafting my own sense of closure on a series I love, in a way that more closely aligned with my own understanding of the characters and their story arcs. I’d written a few bits and pieces previously, including a “Robert’s Rebellion” prequel series, but never anything that made it beyond my laptop’s “Documents” folder.

Once the wound wasn’t quite so raw, I decided to turn my disappointment into something positive: I’d write my own Season 8, and turn it into a radio play podcast!

Unfortunately, the day fell a little flat: like a lot of people, I didn’t feel entirely satisfied with the way the show ended.

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